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Cultural Significance of Chin-Kuki-Mizo Dresses in Manipur — Academic Study

An academic analysis by Carolyn Niengneihmoi (Manipur University) on the material culture, traditional handloom practices, and social symbolism of traditional attire (including Thangou puon, Jawlpuon, and Puandum) among the Paite and related tribes.

Cultural Significance of Chin-Kuki-Mizo Dresses in Manipur

Author: Carolyn Niengneihmoi (Research Scholar, Department of History, Manipur University)
Publication: International Journal of Humanities and Social Science Invention (IJHSSI), Volume 4, Issue 4, April 2015, PP. 59–62
ISSN (Online): 2319–7722 | ISSN (Print): 2319–7714
Document Link: Download Full Research PDF Document


Abstract & Overview

The tribal arts and crafts of Manipur provide a fascinating lens into the living culture of the Chin-Kuki-Mizo tribes, including the Paite. Craft production is an inherent practice woven into daily life, honed across generations without formal professional training.

For the Chin-Kuki-Mizo peoples, "dresses are the unwritten constitution" — a visual symbol by which a person's social status, achievements, clan lineage, and cultural role are recognized. Every shawl (puon) and loincloth is patterned with intricate designs and color combinations derived from natural surroundings (creatures, animals, birds, rivers) and origin myths.


Key Highlights of the Study

1. The Loom and Material Culture

  • Weaving is predominantly carried out by women using traditional backstrap or loin looms.
  • Patterns are held in memory and transmitted orally and visually from mothers to daughters.
  • Dyes historically sourced from indigenous plants, roots, and indigo.

2. Social Class and Garment Symbolism

  • Specific shawls exist for distinct life stages and social achievements: for chiefs, wealthy feastholders (Khuado Pawi), married couples, elders, youth, and children.
  • Thangou Puon: A prestigious shawl awarded for distinguished achievements in war or agriculture.
  • Jawlpuon: A betrothal cloth gifted between lovers (zawl), symbolizing commitment and affection.
  • Puandum: The deep indigo/black-field cloth featuring red, yellow, and green stripes, worn at formal assemblies and funeral rites (si tuam puon).

Academic Citation & Attribution

Niengneihmoi, Carolyn. "Cultural Significance of Chin-Kuki-Mizo Dresses in Manipur." International Journal of Humanities and Social Science Invention, vol. 4, no. 4, 2015, pp. 59-62. www.ijhssi.org.

This document is preserved in the Paite Heritage community repository under Open Access guidelines for educational and cultural research purposes.

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